 |
|
CVW Adds HPX 500 to its list of camera options
The HPX
500 becomes the eleventh camera option available for CVW clients to choose
from. Along with the Panasonic HVX 200, the Panasonic HPX 500 is the second
high definition camera available.
The
AG-HPX500 P2 HD shoulder-mount camcorder delivers high-end features never offered in a camcorder in this genre, including
production-quality 2/3" progressive 3-CCDs, DVCPRO HD quality, multi HD
and SD formats, variable frame rates, and four independent audio channels. In
addition, the HPX500 offers the outstanding benefits of P2 solid state
recording including ultra-fast IT workflow and no-moving-parts reliability,
which makes the camera ideal for use in harsh environments.
At only
8.2 pounds, the HPX500 features a high-performance digital signal processor
(DSP) with 14-bit A/D conversion and 19-bit processing that handles HD/SD
format conversion simultaneously -- ensuring spectacular images in all video
formats for applications ranging from news acquisition, independent filmmaking,
corporate video, sports and much more. To give your productions tremendous
flexibility, the HPX500 records in over 32 HD and SD formats. The camcorder
records on re-usable, removable P2 cards. With Panasonic's new 16GB P2 card and
HPX500's four P2 slots, the camera records for 68 minutes of DVCPRO HD; 136
minutes of DVCPRO 50; and 272 minutes of DVCPRO.
TURBO STRUTS IT'S STUFF AT THE SPRING GALA
In
addition to John Williams, Steven Spielberg and Martin Scorsese, the
2008’s John F. Kennedy Center for the Performing Arts’
Spring Gala also featured another key member; Creative Video’s
new Grass Valley TURBO iDDR.
Creative Video projected edited film clips such as ET and Indiana
Jones’ Last Crusade & Dr. Zhivago, along with many others the
John Williams had written special musical scores for each. The
clips were projected onto a 27’x15’ screen at the back of
the Concert
Hall stage, 160’ from the projection booth. The National Symphony
Orchestra conducted by John Williams accompanied the movie clips.
Technical Director, Matthew Eidemiller, used the power of the Turbo to
send the film clips to two Barco FLM-18HD projectors, while
simultaneously playing a directors copy of the films to John
Williams’ stage monitor. This was made possible through the
Turbo’s dual channel playbacks. Projectionist Malcolm
Peplow used the two Barcos to project both 4x3 and 16x9 aspect ratio
films at a brightness of 18,000 ANSI lumens.
For more information on pricing or rental opportunities, or to find out
if the Turbo iDDR is right for your event, please contact Creative Video of Washington. Additional information can also be found at Thompson Grass Valley’s website at www.thompsongrassvalley.com.
|
|
CREATIVE VIDEO INTRODUCES IT'S TURBO iDDR
One of Creative Video’s
newest inventory additions is the Thompson Grass Valley Turbo iDDR
(Intelligent Digital Disk Recorder). The Turbo has been heralded
as a new class of VTR replacement that can combine clip recording,
storage and playback with basic clip editing.
The Turbo possesses three separate channels, a record and two
independent playbacks. Thanks to these three separate channels,
users can record and playback simultaneously. Yet another
advantage to the Turbo’s dual channels is the capability to
simultaneously play back two independent clips to two different
destinations. Creative Video used this feature to its benefit
during a recent productions at the John F. Kennedy Center for the Performing Arts.
The system reduces the reliance
upon tape, and can eliminate the need for live tape playback during
some shows, thus cutting down on the chances for tape or deck
malfunction.
The Turbo can record in SD-SDI,
composite, S-video and component formats, and plays back in SD-SDI,
composite, S-video and all DVI-I formats. JPEG, BMP and TIF files
can also be imported as still images.
For more information on pricing or rental opportunities, or to find out
if the Turbo iDDR is right for your event, please contact Creative
Video of Washington. Additional information can also be found at
Thompson Grass Valley’s website at www.thompsongrassvalley.com.
|
|
NATIONAL HERITAGE FELLOWSHIPS CONCERT
Creative Video was once again
asked to record the 2007 National Heritage Fellowships Concert at
Strathmore Music Center on September 20th. The event is sponsored
by the National Endowment for the Arts, the Darden Restaurants
Foundation and is produced by the National Council for the Traditional
Arts. This was the 25th anniversary of the program and features
the 2007 Fellows performing their specific talent or skill and being
interviewed on stage by host Nick Spitzer of New Orleans Public
Radio’s “American Roots” distributed by American
Public Media.
The production took place on
the concert hall stage at the Strathmore Music Center. Because
the show has more of a theatrical stage requirement, the challenge for
set designer Tony Cisek was to convert the wide open concert stage into
a more traditional looking stage that would allow curtains and various
looks. Integrated into the portal were two large screens that
were used for I-Mag and to support the artists and craftsmen on stage
with pictures and video of their crafts. Director Paul Douglas
Michnewicz and Producer Madeleine Remez crafted a wonderful evening of
music, song, crafts and performances that the packed house at
Strathmore truly enjoyed.
Creative Video was called upon to not only record the s how
and at the same time projecting a combination of the four camera
switch, stills of the art, crafts and video to supported the Fellows
onstage interviews. The key was a combination of our primary
Broadcast Pix Slate 2100 switcher for the screens and our Panasonic
MX70 sub switcher for recording the four camera switch. The
Broadcast Pix which includes dual digital disc recorders, an extensive
still store capability, and the ability to operate our remote pan tilt
cameras was ideal for switching the show for the audience to see on
screen. Tech Director Matt Eidemiller set up the dual switch back
stage and had an audience looking over his shoulder most of the night
as performers, artists and craftsmen, prepared to go on stage or just
got off stage.
Projecting onto the two
10.5’ x 14’ screens required front projection due to the
lack of space behind the screens and the stage entrances. The
throw was a little over 100’ feet and with the stage lighting,
Creative Video chose two Eiki XT-4 12,000 ANSI projectors to do the
job. To get the projectors above the audience, Creative used two
of their “Shark Cage” projector stands that stand 6’
tall and skirt nicely. They were located nest to the audio board
and one of our two 36x long lens cameras. We also used one of our
Hitachi Pan Tilt robotic cameras flown high above the stage for the top
down look on a wood carving display and for musical numbers.
The crew included Tech Director
Matt Eidemiller, Engineer/Cameraman Sean Hovan, Cameramen Camron
Bartlett and Pete Josendale. The finished production will be
combined with the Capital Hill Ceremony, where the Fellowship Awards
were presented, on a DVD that will be given to the Fellows.
Visit the Creative Video News Archives
|
|
Creative Video of Washington, Inc. | 1410 Spring Hill Road, Suite 100, McLean, VA 22102
©2008 Creative Video of Washington |
|